

It must be difficult to come up with creative ideas for any drag show, as most drag shows seem to be a virtual washing machine of recycled ideas. Mince did an excellent job in this department. Apart from incorporating well thought out songs into their show with the perfect accompanying wardrobe, their inventive use of multimedia and their subtle use of props was all very refreshing. Who would have thought incorporating dancing ponytails could add so much humour to a normally lacklustre yodelling act. Some of the props they used were very well hidden and had me speculate how and where the glitter, bridal bouquet, microphones and many more oddities were stashed, shoved or strapped. It’s astounding how many things a drag queen can hide underneath her frock, so outer space customs officials beware.

As the second part of the show started I must say I was perturbed by the one act of Kieron Legacy. At one point her/his left testicle was on the verge of making an unwanted guest appearance. Every time a high kick was done or an open legged squat was preformed Kieron’s scrotum was revealed more and more and I was bracing myself for the exposing of “the ball”. I was unfortunate enough to be a member of an audience where such an incident occurred once before and the performer finished her song, one testicle hanging out unbeknown to the drag artist – it was all very traumatising! Thank goodness this didn’t happen here. As the show winded down, I can honestly say it was quite an experience. The ending was a slight anti-climax but it sure was worth the ride on the Minceonator. The show was a professional production with no technical glitches and both performers hit each mark with flawless perfection and perfect comedic timing; Mince has formulated a winning recipe that will keep audiences entertained for many years to come.

Lady Gaga TELEPHONE PARODY! SHERRY VINE!!!